From Never Fully Dressed, this top features:Crew necklineLong sleevesEmbroidered mystical motifsElasticated cuff detailContrast stitch detail at the neckline and cuffsTie front closureApprox. 24#double; lengthCottonMachine washImported.

Rokh Fall 2025: Softening the Edges

Versace La Coupe Des Dieux Swim Shorts Black

Versace Kids graphic-print long-sleeve shirt Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights multicolour satin finish all-over graphic print all-over logo print classic collar front button fastening long sleeves straight hem Composition Polyester 100% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Machine Wash The washing method is subject to the commercial washing standard Product IDs FARFETCH ID: 20837897 Brand style ID: 10001901A08364

Final SalePhilipp PleinSugar Daddy cotton shirtMade in ItalyThe origin of the goods may vary from batch to batch. Please refer to the actual product.Highlightsalice bluecottonskull embroidery to the frontclassic collarfront button fasteninglong sleevesbuttoned cuffscurved hemCompositionCottonThe composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed.WearingThe model is 1.86 m wearing size LProduct IDsFARFETCH ID: 19903871Brand style ID: FACCMRP2011PTE003N

For designer Rok Hwang, taking a sculptural approach isn’t about creating sharp-edged monoliths but about following the human hand’s shaping of material. A point of reference he named was renowned British studio potter Lucie Rie. “It kind of resonates with the idea of hand touch and a very poetic kind of construction that really assembles the collection,” he said backstage. “This is heavy construction but at the same time, we are breaking it.” If that sounded abstract, think of them as a building, like the under-renovation Parisian townhouse in which Hwang staged his show, which had “a beautiful historical kind of appeal but it’s been stripped down.” Owing to the London-based designer’s proclivity for collecting vintage, he revisited archetypal garments, balancing rigorous cuts with dramatic draped elements. There were showpieces to be sure, but it was precisely dosed and telegraphed a softer, more feminine energy even in more quotidian options. You May Also Like The best examples were a double-breasted coat with a square neckline, little high-necked blousons that could be unzipped vertically and horizontally, and a trench-polka dot dress hybrid. Here and there were also examples of textile manipulations, with tightly packed hand-shredded ruffles painstakingly assembled over the surface of a coat. Elsewhere, he used deconstruction as a way to build new wear options in puffy coats, zippered blousons and even knit sweaters with a detachable lower hem. It played well with his modular concept, with bubble skirts unfolding into sleeker variations thanks to ring clasps. Collection Gallery 41 Photos View Gallery Equally handsome and modular were his menswear silhouettes, a category that now amounts to around 20 percent of the business and growing, Hwang said. They cemented the impression of a brand that is keeping its eye solidly on real-world appeal.

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